la vejez de las paredes un rincón apacible y silencioso una negra sonrisa de alegría un modo diferente de conspirar de conocer la vida un poco envenenada (2009)
–choreography–
A proactive commitment to history is a political decision. Constructing it daily means revisiting the past. It is called memory. It’s not allowing certain things to be repeated. It is saying: never again (nunca más).
This work of art is an event in which people meet with the excuse of talking about disappearances. This work of art is an event in which people discuss their history with the excuse of meeting. This work will say there are no things it cannot talk about. It will say obvious things, and it will attempt to remind us: this history is everyone’s. This work will contribute to the cause of memory, to not forgetting. A dance in another space. A movement between the personal and the political.
concept, choreography / concepto, coreografía
Pablo Fontdevila
choreography, performance / coreografía, interpretación
Ireri Mugica, Semis Páramo y Vianney Sánchez (Chicken Democracy)
collaboration with costumes / colaboración en vestuario
Lek.e Tikoto
lighting design / diseño de iluminación
Pablo Fontdevila
photography / fotografías
Orson Sánchez Sarmiento, Sr. Mara
graphic design / diseño gráfico
Sr. Mara
production / producción
Chicken Democracy & Trimurti (p)
Première:
eSpacio Abierto (Mexico DF, MX)
Performances:
2010
– BrotFabrik (Berlin, DE)
– OT301 (Amsterdam, NL)
2009
– Escuela Nacional de Danza (Mexico DF, MX)
– Foro Quinto Piso (Mexico DF, MX)
– ESIME Zacatenco IPN (Mexico DF, MX)
– eSpacio Abierto (Mexico DF, MX)
supported by / con el apoyo de
CIESS
supported by / con el apoyo de
México en escena
CENART
FONCA
Conaculta
pablo fontdevila 